"oh, I get it, it's the failure mode of humanism"
The thing about writer's block is that it's a signal that something you've written
How I am adapting E. Nesbit's "Melisande"
Now that I have written about what happens when adaptation goes wrong, I might as well start writing about how
Why Tim Minchin's MATILDA makes Miss Trunchbull the hero
I am going to write more about the process through which I am adapting E. Nesbit's short story
Starting conditions
It seems as if one should not begin by announcing a project, in the sense that whenever a person announces
WHAT IT IS and WHAT TO DO NEXT, Volume 4: None of the Monitors Are Asleep
I am writing this, at half past seven, in the breakfast nook that used to be a mudroom. I spent
WHAT IT IS and WHAT TO DO NEXT, Volume 3: D4, C4
I am writing this not precisely after dawn—it is the eve of the summer solstice, and although I woke
WHAT IT IS and WHAT TO DO NEXT, Volume 2: Is It What It Is?
I am writing this shortly after dawn, in our garden. There are succulents to my right and cucumbers to my
WHAT IT IS and WHAT TO DO NEXT, Volume 1: Down the Rabbit Hole
I am writing this shortly after dawn, in May 2022, while sitting in a rocking chair that used to belong
2024 Thoughts
✦ September
September 2024
Scored "Once Upon a Time" and "Twice Trouble" for MELISANDE.
Applied to Emergent Ventures to support
August 2024
Completed the Act One book for MELISANDE.
Completed four assignments for Newsweek, two for Bankrate, and one for Vox.
Taught
July 2024
Began drafting MELISANDE.
Completed four assignments for Newsweek and four assignments for Vox.
Coached one writer on her novel and
June 2024
Married Larry Finley, the great love of my life.
Completed four freelance assignments for Newsweek, one for AOL, one for